By Richard Gray
A heritage of yank Poetry provides a accomplished exploration of the improvement of yank poetic traditions from their pre-Columbian origins to the current day.
- bargains a close and available account of the full diversity of yank poetry
- Situates the tale of yank poetry inside an important social and historic contexts, and locations person poets and poems within the appropriate intertextual contexts
- Explores and translates American poetry when it comes to the foreign positioning and multicultural personality of the United States
- presents readers with a way to appreciate the person works and personalities that helped to form probably the most major our bodies of literature of the earlier few centuries
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Extra info for A History of American Poetry
Even less obviously experimental poets like Robert Frost and Edwin Arlington Robinson, Elizabeth Bishop and Dana Gioa seem to speak out of the depths of their solitude; even the distanced, hieratic tone of John Crowe Ransom or, later, Louise Gluck, the elaborate patternings of Marianne Moore or Amy Clampitt cannot disguise the fact that these poets are engaged in a lonely confrontation with the real, less than usually (which is to say, less than usually by European standards) mediated by social or literary convention.
For Whitman equally insisted on both his inviolability as a person and a writer, his own selfhood, and the inevitability and necessity of contact, community, the interpenetration of his own life and work with the lives and works of others – other poets, other people whom he lived with, those he observed and addressed. ” It was from the belief expressed in this announcement, as we shall see in the next chapter, that Whitman drew his fundamental inspiration. And it was guided by this belief that he was to fashion a poetry that insisted on an intimate relationship between poet, each character inhabiting his poetry, and the reader – a relationship in which a recognition of the intimate bonds tying these three human subjects together coexisted with an acknowledgment of separateness, the distinction of being set individually apart.
But the way in which a culture perceives itself is important; it has a profound effect on its life and development. So it is worth emphasizing the fact that the Puritans did see themselves in this way, and that, by contrast, the body of thought that the Enlightenment offered to the United States set the idea of Progress with a capital “P” upon a pedestal. A person like Franklin was sure that the good life could be realized here and now on the earth; he was sure that society could go on improving; and he was sure that all this could be done best of all in the new republic that he had helped to found.
A History of American Poetry by Richard Gray